Dan Worrall Recording

Mastering Studio, Sheffield, UK

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mastering studio: my control room mixing and mastering studios: my control room mixing and mastering studios: main control room
Online Mastering:

I now offer online mastering services: send me your mixes as uncompressed wav or aiff files and I will polish them ready for final release.

Mastering will take place in my purpose-built architect-designed control room, with extensive acoustic treatment, and 1200 watts of 3-way active monitoring. Clicks, glitches or other unwanted noises can be cleaned up with state-of-the-art software, while the overall frequency and dynamic response of your audio can be tweaked to make sure it sounds good when played on PA systems or iPod earbuds, or anything in between.

If appropriate your mixes can be tastefully glued together using analogue compression, or coloured with real high-voltage valves and transformers.

Mixes can be delivered as individual tracks in any compressed or uncompressed formats you choose. For a small extra charge I can also lay out a whole CD album with all the relevant meta-data, and provide it in industry standard DDP format ready for replication.

Rates: £40 per song | £30 for an album layout in DDP format

NB: the rates above are a good guideline, but not all projects require the same amount of work: if you provide me with the mixes in advance (or a representative sample) I can quote a fee for the whole job which may work out cheaper. Get in touch to discuss your specific project.

Attended Mastering Sessions:

If you are in or near Sheffield you may want to attend the session, in which case I charge the same hourly / daily rates as for recording sessions.

Rates: £25 per hour | £200 per day

A quick note about the term 'Mastering': in my studio this does not mean slapping on a multi-band and a limiter and making it really LOUD. Check out the Turn Me Up campaign, and remember that the listener's usual response to a really loud CD is simply to turn their own volume down...

... there is only one sure-fire way to make your album louder than the competition on playback: make it sound so good that the listener reaches to turn the volume UP instead! That's always what I aim for when mastering.

NB: every mastering session starts with your Free Consultation Session: bring your mixes down to the studio (or send me the files) and I will check them for technical or other issues. If there are any problems that would be better solved by you returning to the mix, this is our chance to find out in advance. This service is offered totally free to anyone that books a full mastering session.


Mixing:

A lot of people have their own recording setups at home these days, which I think is great: that's how my own studio started after all. However, it also means I know how frustrating home recording can be: you can spend hours tweaking and refining a mix until it's just right, then play it in the car, or hear it on a club PA system, and find it sounds completely different.

Its easy to blame your equipment in such cases, but actually the main culprit is likely to be your room. Unfortunately, while microphones and audio interfaces are getting cheaper all the time, a properly designed and acoustically treated control room is beyond the reach of most project studio owners. So that's where I come in: bring your project down to the studio as stems or individual audio tracks, and mix in an acoustically treated control room with excellent monitoring, and with an experienced engineer / programmer versed in a variety of styles.

Mxing can be performed in the digital domain in my own control room: in this case you benefit from a large selection of state-of-the-art software plus an expert operator, and a monster 8-core DAW system built by Carillon Audio Computers: large ambitious projects with high track counts and high samplerates are no problem at all.

Or you can book a session in the main control room, and mix hands-on with classic analogue equipment, and a 56 channel Amek console.